Ryan Reynolds, the superstar that abjurates social networks for his unhealthy obsession with perfection

Ryan Reynolds has been in the acting business since 1991, which has raised the Hollywood Olympus, but cinema is just one of the multiple works of the multifaceted Canadian actor. The protagonist of Deadpool He has an advertising agency, Maximum Effort, with which he has lit multiple ads that have been filled with flattery by an industry, the advertising, which has long given himself at his feet. The Canadian interpreter also has his own Geneva brand, Aviation Gin, and also owns a football team, the Wrexham AFC. Ryan Reynolds spoke yesterday about his unique business emporium at the festival Online Marketing Rockstars (OMR)where the Canadian showed his status as superstar and conquered with his overwhelming charism and his irreverent sense of humor to an auditorium full to the flag.

The actor confessed that his multiple and various business interests may surprise a boat soon contemplated from the outside, but simultaneously assured that everyone has something in common. «All my companies are actually guided by the same principle: that bind people in absolutely unexpected wayseither crying in the cinema or pulling the team of their loves in the stadium, ”he said.

Ryan Reynolds defended the need to assume risks in OMR

This conviction, to unite people in the most unsuspected way, was the one that led the Canadian actor to buy in 2021 the football team Wrexham AFC still knowing anything about football (and even being fully aware that the club dragged multiple debts). The acquisition and subsequent administration of the Wrexham AFC monopolizes all focuses in the documentary series Welcome to Wrexhamwhose fourth season will make its launch on May 29 at Disney+.

In Omr Reynolds he also spoke Its greatest film fiasco: The movie Green flashlight (2011). “The film did not work, but I still learned some of all this: having too much time and money can suffocate innovation,” he acknowledged.

The interpreter and businessman also advocated the need to assume risks, something he did, for example, when he got involved in the production of Deadpoola film that greatly financed with money from its own pocket due to the lack of support of a project that ended up revealing to the dessert as a resounding success.

Reynolds also admitted in OMR, which unlike his wife, also actress Blake Lively, It is not too much fan of social networkss. And even when he recognizes that platforms such as Instagram are good communication tools, the impression that these channels deserve is more negative than positive.

Ryan Reynolds does not like social networks for perfection that invariably strive to project

«I think social networks contribute in some way to silence people. You open an account on social networks and suddenly you become a media. You share certain ideals and such ideals end up metamorphicing in a brand, a brand that then becomes a platform that soon is monetized. AND Ultimately that platform becomes somehow your identity and you realize that you are screwed«, Reynolds said.

The actor is particularly concerned about the negative impact that social networks could eventually have on their children. «It is difficult to get out of social networks because these platforms catch you with their algorithm spoiled by dopamine and want to stay there at all costs. And I logically worry the effect that this can have on my children, ”he acknowledged.

«I have three daughters and the problems related to the body image that emerge to the surface on social networks undoubtedly worry me. I think the biggest problem of social networks is that they project a lot of perfection“He said. “From my point of view, perfection is a disease. People fear doing bad things on social networks and even tries. But it is good to allow you to do the luxury of occasionally doing things in these channels and also in life in general,” he added.

Despite his steely criticisms against social networks, Reynolds ended up admitting, however, that the success of his professional career would not have probably been possible without the help of 2.0 platforms.

The sense of humor (in his most irreverent aspect) is Ryan Reynolds’s particular marching and in OMR the actor gave a good account of that sense of humor when Folkert Bowler, a 22 -year -old entrepreneur, approached him from the stage and invited him to try the revolutionaries Dental flavors of his company: the Berlin startup Pick’em. Reynolds not only accepted the young man’s offer, but to played with the stick that the young man laid him during practically his intervention in OMR.